These working printer’s proofs offer a remarkable insight into the thoughts that go into preparing a final print.
A few years ago, I had the pleasure of spending some time with Pablo Inirio, master darkroom printer at Magnum Photos in New York. I was thinking about that interview recently as I heard the news of Kodak’s bankruptcy and pondered the precarious status of “old media” like books, film and silver gelatin prints.
As Magnum’s printer, Inirio gets to work with some of photography’s most iconic images. In his small darkroom, the prints lying casually around include Dennis Stock’s famous portrait of James Dean in Times Square (right) and a cigar-chewing Che Guevara shot by Rene Burri. Intricate squiggles and numbers are scrawled all over the prints, showing Inirio’s complex formulas for printing them. A few seconds of dodging here, some burning-in there. Will six seconds be enough to bring out some definition in the building behind Dean? Perhaps, depending on the temperature of the chemicals.
Of course, this…
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